Reflections

Because I haven't posted anything specifically about the house in a long while, even though there are lots of plans in the works, I bring you dappled sunlight reflecting the trees on the siding - eastern elevation of The Cool House. Pretty and peaceful. Enjoy!

O!

Huge circular spider webs suspended high in the fir trees

and low down in the shady grove.

Modern meets Historic

I stumbled upon this fabulous modern addition to a typical residential house in an historic area near downtown Atlanta and was mesmerized by the shapes and the light. Designed by architects Brian Bell and David Yocum of the modern architecture firm bldgs, the Ansley Park Glass House is a stunning space that neatly juxtaposes the 20th and the 21st centuries.

There's a cool pool to beat the Atlanta heat - its shape echoes the square lines of the new addition - and the original 1910 building.

The living space is open inside, while walls of glass flood the rooms with light. I love the soft grey-blue tones of the MCM furniture that contrast with the dark fireplace/bookshelf.

A view from the suspended staircase: Dark woods on the walls and floor give a solid feel to the space - how fabulous is the Nakashima-inspired table paired with the Saarinen Executive Side Chairs?

Possibly my favorite part of the renovation, the kitchen balances cool stainless steel cabinetry with warm wood countertops, where the staircase floats behind like a transparent sculpture - awesome.

The square roofline of the original house seen through the rectangular wall of glass: the harmonious synergy of historic and modern.

It's Friday so hop on over to Julia's Hooked on Houses Friday fest

Events on Long Island: Making Music*

Music. You hear it, you play it, hum it and sing along to it but have you ever asked yourself: How does it happen? How does a tune get paired with lyrics and made into a song that becomes a hit?

On Thursday September 3rd at 1:00 PM Young Rebel Goombas (and friends of The Cool House) Richie Saccente and S. Cosmo Mallardi will be explaining just how it's done

Joining them for the event will be legendary sax player Richie Cannata

They'll be demonstrating the art with a few rocking tunes from their album Young Rebel Goombas

Emmy award winning documentary film-maker Jake Gorst will be there, too - so there just might be some filming going on.

There's a bit of a bonus attending the lecture - it's held at Hutton House, formerly Lorber Hall, a fully restored Gold Coast mansion. Architecture and music all in the course of one lunch-time lecture, what could be more fun?

*The skinny:

The Art of Musical Composition and Production

When: Thursday September 3rd 1:00 - 2:30 pm
Venue: Hutton House, C.W.Post Long Island University in Brookville, New York.Entry fee: $15.00Early registration is highly recommended. The registration form can be downloaded here.

See you there!

Steelcase and Frank Lloyd Wright

I posted yesterday about seeing Steelcase office furniture everywhere after I received the two MCM chairs. Last week I came across the name while viewing one of the more interesting sections of the Frank Lloyd Wright: From Within Outward exhibition at The Guggenheim Museum: the SC Johnson Building in Racine, Wisconsin.

In 1936 Wright worked with Steelcase to produce modular steel and formica desks and chairs in his signature Cherokee Red for the SC Johnson Wax Administration Building that Life Magazine called the "most inspirational office building of the twentieth century".

If you fall in love with the sensuous curves of the furniture you can purchase your very own Frank Lloyd Wright Johnson Wax 1 Writing Desk and Johnson Wax 2 Chair, although today they are no longer produced by Steelcase but by Italian furniture maker Cassina.

In 2001 Frédéric Compain made a fascinating documentary about the Johnson Wax Building as part of the Architects series. Part 1/3 above, click the links for part 2/3 and part 3/3. It not only shows employees at their work stations but explores Wright's belief that efficiency is affected by the surrounding office environment. (Note: the documentary is in French and although there is an English voice-over they haven't translated the written quotes. It would appear they spoke French in Wisconsin in the 1930s!)

The Steelhouse company has furthered their association with the architect, away from the industrial to the residential, by supporting the restoration of the Frank Lloyd Wright Home and Studio in Oak Park Illinois

and, in the 1980s, purchasing and fully restoring the Meyer May House in Grand Rapids, Michigan, which celebrates its 100th anniversary this year. Take the online tour here.

Steelcase is also sponsoring a Symposium on September 10 2009 to explore the relevance of Frank Lloyd Wright to 21st century architecture and design.

Steelcase

Since I got my sinfully scarlet Steelcase chairs last week I've been coming across the American manufacturer's modernist office furniture everywhere.

Founded in 1912 as the Metal Office Furniture Company, Steelcase got its new name at the height of the mid-century modern movement. Their website doesn't have much information about the designs from the 1950s, 60 and 70s but a few evocative photos can be found at the milestones section.

There's better luck searching for images of catalogs from that era: A selection of red office chairs with a contrasting yellow desk from a Steelcase catalog

or this yellow chrome armchair, from the early 1960s. (If you are hungry for more MCM images the Mid-Century Modernist has a post here).

Of course actual examples of Steelcase MCM furniture often come up for auction, on ebay, or at 1stdibs. Prices vary widely - as does the condition of the furniture.

And if you prefer your work space modern rather than modernist, The Steelcase Design Studio is still producing solid, ergodynamic office furniture. For more info on new products visit their blog.

Scarlet Seat

Around the middle of last week I got a call from the Awesome Designer to say she was on her way over with a couple of things she thought might fit in The Cool House. Full of eager anticipation I danced around in the driveway until she pulled in but nothing prepared me for the treasure she had stashed on the backseat of her car. Luckily The Guy was home to help because these two 1970s Steelcase chrome and wood armchairs probably each weigh more than she does. They are unbelievably solid and so comfortable that I've been sitting in one pretty much non-stop while Jefke the cat has taken over the other.


I've seen them before in black leather but the scarlet fabric seats and backs really add something special to the design and they fit in so well with the overall color scheme in the den that either the design gods were waiting for this moment to bestow a smack of style on the room or it demonstrates once again that you should always befriend a designer who has impeccable taste and knows how to persuade you to add another jolt of color to a room.

The Upside-down Cupcake

The upside-down cupcake, a hot-cross bun, a ball of mud - some of the descriptive names given to the Solomon R Guggenheim Museum during the planning and construction phases of the building in the 1940s and 50s. It took a while for New Yorkers to accept the Frank Lloyd Wright design, but once it was opened in 1959 it was quickly embraced as a NYC landmark, and became the iconic symbol it is today. The white concrete building remains a testament to Wright's vision and is the most interesting exhibit in a repititous and occasionally boring show Frank Lloyd Wright: From Within Outward.
All his major works are represented here: plans, blueprints and architectural drawings in abundance; but also too small scale models, too little information, too many renderings of the same building. It looked like the first stage of planning the project rather than a polished exhibition. More deconstructed models, like the Herbert Jacobs House, built on a greater scale would have held my attention, as would bigger artists' representations of projects that were never realised, like the Plan for Greater Baghdad. The show felt flat, and without any wow factor this visitor would have left disappointed except for the saving grace of the fabulous exhibition space, within


- and without.

Frank Lloyd Wright: From Within Outward runs at The Guggenheim New York until August 23 2009; I found I got all I needed from the museum website. I can also highly recommend the book Frank Lloyd Wright Interactive Portfolio by Margo Stipe: it's detailed, informative and celebratory in a way the Guggenheim show should have been.

Dwell Table Linens

A little earlier this summer I entered a Design Public contest and won these dramatic DwellStudio Table Gate cocktail napkins and coasters. Made from 100% linen, they are soft and strong and in this dark brown Java colourway fit perfectly with the rest of the decor at The Cool House.

I've bought a couple of things from Design Public and have been very impressed with both their prices and their customer service - it's more like buying something from a trusted friend with great taste than a big anonymous corporation. They have a stylish blog, Hatch that's full of interesting links, and if you are the twittering type follow @designpublic to learn all about their design ethos, products, sales and deals. Check them out, I'm sure you won't be disappointed!

Georges Briard réchauffé

A knock at the door, and despite the barking dogs slavering to get near him, a smiling postal worker happily handed me a large parcel that I opened straightaway. Inside, carefully packed with protective bags and newspaper this Georges Briard Chafing Dish - a gift from the very generous Priscilla, who reads this blog and knows about my Georges Briard obsession. I wonder if she knows that someone else on Long Island also loves the gold leaf and crisp nature-inspired mid-century patterns of this iconic home furnishing designer?
Many, many thanks Priscilla!