



Integrating the outdoors into the interior design is a fundamental part of mid-century architecture; strategically placed windows enhance the views, banks of clerestory windows allow light to flood rooms, low ceilings draw the eye outside, sliding doors open to patios and gardens. This house was designed around an enormous Mountain Pine that dominates the west-facing side and the landscape enhanced by judicious planting. Every window captures a specimen tree, shrub or planting, an aspect that serves to bring the outside in. It's especially appreciated at this time of year when the deciduous trees have opened up and the azaleas are in full bloom but the chilly wind makes it too cold to sit outside.
Looking East
Facing North
South-West aspect
Facing South
Kitchen-facing West
Den-due East
Living room to the East
The last twelve months have flown by, hardly time to post to the blog what with all the twitter twaddle and facebook folies to constantly update. I knew this would happen, I'm basically lazy so if I can say it in 140 characters or less that's the option I'll take, thank you very much. But on the warmest day of a warm April that succeeded the hottest March ever, preceded by a no-Winter that meant no snow and no photos of 2" icicles hanging from the garage roof (and therefore no threat of decapitation when dragging the trash cans down the drive), I've had time to reflect on the past year.
Firstly, that Spring-like Winter has meant everything in the garden is blooming a good three weeks ahead of normal. This was last April 16 - in past Aprils we've still been salting the back drive this time of year.
New art in the house
Bob Boreman monoprint abstract landscape
Cathryn Arcomano Mix Media
I never know what to get The Guy for birthdays, anniversaries or the holidays. Unless he specifically asks for something I am stumped. I did manage to surprise him four years ago with the Jamie Geller Dutra abstract painting so when we moved that out of the master bedroom and into the kitchen I thought maybe I could kill two birds by getting him another piece of art that could hang in our room.
I searched, we searched but nothing came out of it. Too small, too dark, the wrong colour; it seemed nothing would fit. Then he mentioned this book and I thought: Problem solved. I ordered the book, wrapped it and hid it where he would never think to look, in amongst the wrapping paper and ribbons in my office closet.
Fast forward a couple of months, I'm wasting time on ebay when I come across not one but three pictures that would fit the wall in the master bedroom and make a unique present for The Guy. I successfully bid on two, one more than I needed but BOGO! I dropped them into the Rockstar Framer at Ripe Art Gallery to work her magic, swearing her to secrecy. Three weeks later I was back to pick them up and then came the difficult part, getting them home, hiding them and keeping my mouth shut for a week until The Guy's birthday. The Bob Boreman piece is oversized and wouldn't fit in my car so I had to stealthily borrow his. It is so large it wouldn't fit in his trunk either but Cherie managed to slide it into the back where it balanced precariously as I drove home at 15 MPH avoiding all the potholes and bumps. I managed to hoist it upstairs, hide it with the other picture at the back of my closet covered them with clothes and held my breath every time he went in there.
The morning of his birthday I pulled the art out of the closet and went to look for some wrapping paper, which is when I discovered the book I'd bought months ago for his birthday... I've told The Guy he can consider himself gifted up to and including next xmas!
Somewhere between this post and the end of the year I forced The Guy to move some of the art around. Again. I thought the steel colour of the frame was better suited to the kitchen with its stainless appliances than the glassy blue-green and black colour scheme of the bedroom. I also reckoned the purples, blues and red in the painting went with the Impala chairs. This Jamie Geller Dutra Abstract had hung in the same place for almost four years, which is pretty much a record for me and it deserves to be seen by more people. I'm very pleased with the change but it's left me with a problem: what to put in its place on the master bedroom wall...

Panoramic shot of the great room taken by Jake Gorst at the movie shoot yesterday. All those hard lines and angles suddenly transformed into soft curves. How cool is that? Very cool, is the answer. Very cool indeed.
When Friend of The Cool House, documentary movie maker, historian and writer Jake Gorst, asked if we would mind him filming our house (designed by his grandfather, noted architect Andrew Geller, we were thrilled. I had assured him the weather would be beautiful, skies blue and absolutely, positively, no rain, guaranteed. That turned out to be a promise I couldn't deliver but at least it was warm, dry and bright inside. Our house is the last of the houses to be shot for the movie, which is now officially in post-production. It's scheduled to be released Spring 2012 - tomorrow in film making time - and I can't wait to see all the fabulous Long Island modern architecture featured. Until then we'll have to make do with a few shots of the shoot...
Jake Gorst on the last day of shooting for an upcoming Long Island Modern Architecture film
Lenny Marks checking the shot, lighting and a million other details
Tracey Gorst, Jake Gorst and Lenny Marks reviewing the Martini Shot
The final, final shot of the day, starring Cassis the Cat. I guess this is the Pousse-café shot!
This morning he's tried to drill holes in the dogwood, rhododendron and the teak top on the garden chimes. So long as he stays off the redwood siding he's safe, otherwise I will be enacting wrath of the homeowner, seen here and here against the pretty but destructive Downy Woodpecker
I love when a long renovation comes to an end, the feeing of tranquility that descends when you know you don't have to be dressed and decent at 7:30 AM, when the day will no longer be interrupted by shouts of "You did want the molding removed, didn't you?" or worse "Can you come here a minute, we may have a problem" and when all the power tools have finally been silenced. Even the mental anguish you experience knowing you went over budget despite swearing you wouldn't or the nagging feeling you overpaid for something trivial, there is, at last, a moment of peace that you, in your naivety, imagine will last forever.
At some point, though, this security blanket of home repair denial will be rudely snatched away from you, leaving you exposed and shivering in the cold light of reality. For me it came with the trifecta of the garage door that would no longer close properly, the loose mortar on the chimney and the holes in the fence the fencing guy swore didn't need replacing because it was "good for at least two more years". We set to work. The garage door was repaired by us and when the temporary fix no longer did the trick an "expert" came to fix the problem... and caused another bigger issue that blew the motor. Needless to say the firm's promise to make good meant they ran in the opposite direction and for the whole summer we parked the car outside. But winter will be here before we know it and neither of us fancied digging the car out of a snow bank so I gave in and called another firm. The garage door was fixed without further drama and at a better price than the first guy quoted. The chimney cap blew off in the hurricane, so we locked in a date to fix that and the crumbling cement pronto, except every time the masons came to start the pointing it rained. And by rain I mean tropical storm downpours. Today they found a few hours of sunshine and got the job done. The fence? Well in a rerun of this scenario, we braced and secured the fence. I was promised two more years and I will make sure I get those last few months, if I have to stand there and hold the thing up day and night.
So all was done and I was singing a happy song until I heard a thud that seemed to come from under the dining room floor. Just as the last issue had been taken care of, just as I was thinking we were done for this year, one of the basement windows, the one that had been nailed in place seven years ago by a contractor who thought it wouldn't open and then found he couldn't get it shut, one of a suite of four, fell off its opener. Just because it could.
Hurricane Irene blew through bringing floods
and high winds.
The beach disappeared under a high tide
that washed the kayaks into the playground.
The storm had other consequences, not least the debris and getting dressed in the dark.
But we ended the day as we usually do, watching the sunset over the bay.
Racing to get to the beach before the sunset last night I snapped the birds on the dock before I noticed the flash was on. What should have been a photo for the discard pile turned out to be a not only a good representation of the variety of gulls on Long Island Sound but an atmospheric, almost arsty shot of blinged-out beady-eyed birds in the dying light. Click to embiggen for the full effect.