Console Lust

LOT61 Lola Credenza via Design Public. I have just the place for this...

Caffeinated

Seduction - I may have to invest. The SoftBrew coffee pot by George Sowden. More details here.

Double Faucets

I used to think the Kohler Karbon faucet reminded me of an 80s Italian car manufacturer but this image reminds me of storks at the waterhole.
I really wanted to find out why I would need dual Karbons in the kitchen, after all it articulates so surely it will reach to every corner of the sink, no? Unfortunately as usual with Kohler when you click on the photo it takes you to an article that DOESN"T MENTION THE FAUCET AT ALL. Does Kohler know how infuriating this is? If you're gonna make me look you'd better be sure I'm satisfied with what I see. Anyway, it looks as though one is for washing up or maybe rinsing vegetables and the other is for... soaking the chips 'n' dip??? Please guys at Kohler, link the images to the relevant articles in the future and put me out of my misery by telling me what to do with the second Karbon faucet.

Inspirational Decor

One of my favorite inspiartion rooms. Black & White Salon from Marie Claire Maison featuring the "Bouquet" chair by designer Yoshioka Tokujin. I love the way all the black elements in this tall room bring your eye down to ground level and that the ethereal quality of the chair is balanced by the weighty ceramic bird. Beautiful.

The downside of induction

I love, no I LOVE my new Electrolux induction top, it's fast and controllable and I've been cooking up a storm since I got back from Europe, mostly soups and other one-pot meals. On Sunday though, since The Guy finally made it home, I planned on making a giant pancake-just the one-to serve with a bottle of Blueberry maple syrup we bought in Maine (and which I have saved these past two months as it's been too darn hot for cooked breakfast). I grabbed my trusty cheapo Belgian pancake pan, turned on the heat and the blue light flashed at me. I knew what this meant as I'd already had to consign one sauté pan to the recycle box when it proved to be non-magnetic - it meant no pancakes. We had cereal.
Later that day I started to chop veggies for stir-fry when it occurred to me to test the wok before I got too committed. The wok didn't work either. At that stage it seemed prudent to test all the pans. The majority of my cookware is Le Creuset and cast iron is induction friendly, so at least I can make casseroles and soup. The big pasta pot from ikea works fine, the small deep-sided frypan from the same store? Not so much. Of course the copper pans don't conduct, nor did an All-Clad omelette pan. I ended up retiring five pans, all ones I had used frequently.
Today I purchased a Cuisinart saucepan that I'll have to return tomorrow; not all stainless steel is created equal. The lesson I learnt from this experience is to take a magnet with me when I go cookware shopping!

Butterflies, Sunflowers and Steering Wheels

New at the MoMA store the George Nelson Flock of Butterflies wall clock by Vitra. It's an early 60s design of wood and polished metal, part of the “Clocks Ahead of Time" series. This one would make a real statement on the kitchen wall - it's a full 2' in diameter, which is probably a little more manageable than my (until now) favorite George Nelson design:


The 1958 Sunflower Clock. The extra-large size - 29.5" makes it the ideal clock for my kitchen. I know because we bought a floor model when we got the Platner table but had to return it when the hands dropped off. It fitted exactly into the style of The Cool House and the space on the wall. We plan to put a new model there after we paint...


but if I had a slightly more mod house - and only needed a 12" clock - I'd definitely pick The George Nelson Steering Wheel clock. It might be a 1948 classic but it reminds me of Mini Coopers and pop art mini dresses. Available from Velocity Arts

The lights went out

Well, half the undercabinet lights. I haven't even got paint on the walls, let alone a backsplash behind the small appliance counter but now three of the six strip Xenon lights from WAC stubbornly refuse to light up. Ylighting think it's a transformer issue and are sending me a new unit. Until then the lighting will be a little sombre, which suits my mood.

Picking Paint

Various people have been asking what color we have chosen for the kitchen and while I'm tempted to leave up the mix of spackle, old paint and backing paper that's currently adorning the walls, I think it may be more aesthetically pleasing to have coherence in that space. The oppressive heat and humidity that was summer 2010 has abated so we're up to the challenge of picking a paint color. Obviously we aren't undertaking this lightly. Remember this marathon paint ponderation from 2007? That wasn't resolved until 2008 - and after all the drama we went with the color on the dining room walls. I had already used some sample pots left over from the master bedroom to try out four shades of green/gray, Iced Cube Silver, Gray Cashmere, Moonshine and Crystalline but none was really speaking to us. So I got out the paint chips and with some trepidation began the process anew. It turned out to be a really simple process. We had already decided on a gray to pick up on the tones in the Caesarstone Misty Carrera countertop. Most of the chips were too dark, a couple too light and then we had the perfect Goldilocks moment.


We loved Silver Satin, the color I painted the door and trim in the green bathroom many years ago. It works in both the sunny and full shadow areas of the kitchen. Because there is no logical place to stop in this house we'll continue this color through the mud room, up the back stairs, along the balcony, down the front stair, finally finishing by covering the walls in the foyer. Eventually we'll also give the great room a coat of two of this lovely pale grey.


We could use Silver Satin in the den as well but ultimately we decided that Bronzed Beige give this room more definition. Bronzed Beige is the color we used in this room and The Guy's office.


The ceilings and room openings with be freshened up with Simply White.
All colors by Benjamin Moore.

Filling the hole

Also a little marvel: 15" wine refrigerator by Marvel. That completes the appliance selection for the new kitchen, And yes, we had it filled 24 hours after it was installed and no we haven't emptied it again...yet.

Preserving the Uniquely Modern

A few years ago The Guy and I headed out to DWR in East Hampton for a fundraiser to save The Pearlroth House. After a lot of hard work by the Geller family, especially Jake Gorst the architect's grandson, and many others that iconic house has been preserved and will be fully restored by next summer.


One successful preservation has led to a much bigger endeavour: cataloging all of Andrew Geller's portfolio - his sketches, blueprints, designs and art - in an archive that will become a resource for students and fans of mid-century architecture and design. Last night dwr East Hampton hosted the Andrew Geller Archive Preservation Fundraiser to raise money for this project.


Friends, family and followers of mid-century modern architecture turned out to enjoy a slideshow on Geller's life and work and bid in a Silent Auction for works including paintings by Andrew Geller and his wife Shirley (who sadly passed away last month), silks by Jamie Geller Dutra and jewelry by Nancy Schindler. More on that auction in a future post... All proceeds from the evening will go to support the Archive. You can support the fund by becoming a sponsor or making a tax-deductible donation and look out for a future fundraiser to be held in New York City - they're lots of fun.

Black and White in Summer

The dining room, the space I declared finished in January 2006 and that we decided to add to the kitchen renovation, finally got its new clothes thanks to some design help from the Awesome Designer and a shopping trip to Kravet's Bethpage, NY showroom one rainy day back in April.


The drapery fabric Solarte from Kravet Soleil, is a retro-vibe indoor/outdoor fabric that should stand up better to dog affection than the Dupioni silk that hung there before.


Although it looks black & white in the stock image, there is a lot of subtlety in the shading - ebony, stone, mocha and a silvery pewter.


The rug, Cap Ferrat, is, like the Chinese Chippendale now in the den, a design by Windor Smith for Kravet. The seafoam color marries well with the grey-green Benjamin Moore Titanium walls and the dark brown ovals are almost the exact shade of the beams and the mocha shading in the drapes. (Black, seafoam and the sun seem to have been a big part of this recent renovation. I think I'll have to invest in some black and white tea towels for the kitchen!).


All we need now are those pesky baseboards...

The only three words that matter

spoken by the Guy as he sat in the renovated (except for the baseboards!)


and temporarily* redecorated den watching the Tour de France...

"you were right"

*once we were happy with the rug in its new position we took it up again. It will be another 4 weeks before we can put rugs on the newly sealed floor - this is why people buy pre-finished flooring!

Inspiration in the Den

The new hardwood floor is in and will soon be sanded and sealed. The electric cables that came up through the platform a foot from the wall have been relocated to a less obtrusive position and although the room will need new paint soon it's a blank canvas I can't wait to colour. It will need a rug, something to soften all that wood, a credenza for the TV (we'll swap the big TV from the master for the smaller one that used to be in the media center) and a couple of sconces. I have plans to use pieces I have in the house for the first two but the sconces will require some real live shopping. It'll take some courage to start looking at lamps again - it's really hard to judge from a product image in a catalogue or web page how it will actually look in a furnished space. But I've made a start and found a few contenders:



jefdesigns Legna wall sconce via Design Public. It comes in teak, walnut or zebrawood veneer - I like the walnut.


The Oggetti Dune Flushmount Wall Sconce via Lumens. Available in Black/Sand, Mocha/White and Sand.


Parker Half Round Sconce by Jonathan Adler via ylighting in Deep Patina Bronze. Aso available in Polished Nickel and Antique Brass.

Sustainable Energy vs Fossil Fuels

photo courtesy of BDG

Just over a year ago I wrote this post about a sustainable beach house in the process of being constructed on Long Island's beautiful south shore. With the catastrophic oil spill in the Gulf of Mexico on everybody's mind right now it seemed the most appropriate time to re-visit the project and ask what measures we can take - and by "we" I mean residents, homeowners, architects and designers - to reduce our dependence on fossil fuels while continuing to enjoy abundant heat, light and electricity.

photo courtesy of BDG

Built by Bouler Architecture, the house at Oak Beach received the highest energy rating on Long Island. With its geothermal system, photovoltaic solar panels, white EPDM roofing material and use of passive solar techniques - basically careful placement of windows and roof-lines to shade the sun in summer and heat it in winter - it has been performing at a far more efficient level than predicted. Even in the short, sunless winter days the house was producing electricity.


For the moment these "green" technologies incur a greater initial cost than power derived from carbon but they have irrefutable and overriding benefits. Using renewable energy sources, wind or solar, means less pollution of the air and water, and as we have experienced since April, when a disaster occurs in the extraction of oil or gas, the cost to wildlife and the local economy can be devastating.

For more on this sustainable project click on over to Bouler Design's blog where I guest-blogged today.

To help the wildlife affected by the BP oil spill visit Save the Gulf: Olivia's Bird Illustrations

Perfect Pillows Update

Six weeks or so ago the big blue sectional got a major dose of pretty when these gorgeous pillows arrived. They have been much admired but the Awesome Designer thought we could go the extra step and add some more gold tones for that unique touch.


So with one medium-sized remnant and some real magic (plus exact measurements and a great eye) she produced these four fabulous cushions. Absolutely inspired!

Hi-hats

Just to confirm the wondrous conundrum of coincidence, The Guy and I were speculating whether top hats would make a comeback - especially after Johnny Depp wore one in Alice in Wonderland - when from another direction completely, design not fashion, our musings found their answer. Wooster Black/Silver Pendant Lights from Heals. Also available in Jeeves - the ultimate bowler hat at your service.

Mid-century British Design

Design Onscreen, the architecture and design programme makers will be premiering their latest documentary on British design duo Robin and Lucienne Day at the National Geographic Museum’s Grosvenor Auditorium in Washington, DC on May 15th. Director Murray Grigor and Cinematographer Hamid Shams will take part in a Q&A session after the screening.


Lucienne, who died earlier this year, designed textiles, wall papers and ceramics that embody the optimism and vitality of the mid-century era. Calyx, the fabric that launched Lucienne Day's career, was exhibited at the Festival of Britain in 1951 where it won the International Design Award of the American Institute of Decorators.


While Lucienne designed fabrics, Robin's mass-market furniture can be found in homes and offices across Britain. Millions of examples of the Eames-influenced stackable Polyprop Chair have been sold since its inception in the early sixties. I sat on bright orange ones at school, magenta in Village Halls and grey in waiting rooms all over the UK.


The showing is scheduled to coincide with the opening of Art by the Yard: Women Design Mid-century Britain, featuring Lucienne Day’s work, at Washington DC’s Textile Museum.
Tickets to the movie premiere on May 15th must be purchased in advance from Design Onscreen.

Chocolate and Clouds...

...with a glint of metal... After all the selecting, culling and final editing and the twenty 12" x 12" squares in 7 different colors I painted on the master bedroom walls we have finally (maybe) come up with a paint palette* that pleases both The Guy and picky me.


Benjamin Moore Titanium to be precise. A warm pale gray with a greenish undertone for the master bedroom walls


Benjamin Moore Cloud White a cool creamy white, soft and billowy on the ceiling and inside the closets


Benjamin Moore Bittersweet Chocolate brownish black. Tasty on the trim to match the dark vanities.


By the way designers and decorators, Benjamin Moore has just launched a couple of exciting projects- new showrooms in New York and Chicago that have variable lighting to mimic those pesky north and east facing windows I'm currently dealing with and huge color blocks so you can truly imagine your finished design. The NYC showroom is painted in Cloud White, a shade I've used very successfully at The Cool House that provides a neutral background to the color chips.



Additionally, the "Designer's Colors" Virtual Fan Deck, a design-tool launched a couple of years ago with Kravet fabrics and furnishings is now available online making complimentary color choice a snap.


Benjamin Moore has also added an e-commerce section to the website so you can buy all the supplies BM offers, plus the sample pots in 600 colors, without stepping away from your computer. Shipping is free on orders over $75 and for 4 or more Color Sample pots. My local paint store is only offering pint samples these days - great for touch-ups or small areas, not so economical if you want to try out 3 or 4 colors on the wall. If you have any painting dilemmas there is a problem solving section too: Learn How that incorporates tips on faux-painting techniques and a calculator so you know exactly how many gallons of paint to order.
*For those keeping count - during the master bedroom project I have spent countless hours using BM's Personal Color Viewer, made innumerable trips to the paint store, bought 5 Color Sample pots, three pint size pots and 50 chips - all to find that what works best is a color scheme I used here, here and here. Ironic, no?

Justifying Eames

It's a tale of love - let me justify it for you - I'm sure you'll get it...


I saw this original Eames Lounge and Ottoman in an antique store on my last trip to Brussels in November, a trip that coincided with the dollar's slide to an all-time low against the euro. The piece was in perfect condition, the chocolate brown leather worn-in just gently enough to be as soft as butter. I was smitten but the euro/dollar exchange rate was so bad it would have cost at least $3000 to have it delivered to me, with no guarantee it wouldn't be damaged in transit. Reluctantly, after briefly considering dreaming about buying a pied-à-terre in the city and placing this iconic furniture in it, I let go and walked away.


Then, in the bon chic bon genre Sablon district, we saw a brand new genuine Herman Miller licensed version in cherry and black leather for ::gulp:: 4900 euros, approximately $7000. Now, the same basic 670 and 671 models in the US were selling for $3899. If you subtract the price of the chair in the USA from one sold in Europe you save over $3000 or almost the price of the American Lounge Chair and Ottoman. It would be like BOGO - nearly free! Right? ...No?


Well, that's the justification I made when I gave in and ordered the limited edition Santos Palisander ( a sustainable alternative to the original rosewood veneer) Chair and Ottoman with black Dream Cow leather. It's an upgrade but I took advantage of free shipping and an extra 20% off promotion in December. It was a huge splurge, I know, and if I hadn't compared the prices in euros and dollars I would almost certainly never have taken the leap but if you remember I said back in 2004 I wanted one fine mid-century chair to complete the house; it's just that turned out not to be a Pierre Paulin Ribbon Chair but an American classic.

Saturday Morning