Through the windows

Integrating the outdoors into the interior design is a central tenet of mid-century architecture; strategically placed windows enhance the views, banks of clerestory windows allow light to flood rooms, low ceilings draw the eye outside, sliding doors open to patios and gardens. This house was designed around an enormous Mountain Pine that dominates the west-facing side and the landscape enhanced by judicious planting. Every window captures a specimen tree, shrub or planting, an aspect that serves to bring the outside in. It's especially appreciated at this time of year when the deciduous trees have opened up and the azaleas are in full bloom but the chilly wind makes it too cold to sit outside.
Looking East

 
Facing North

 
South-West aspect

 
Facing South

 
Kitchen-facing West

 
Den-due East

   
Living room to the East

April to April

The last twelve months have flown by, hardly time to post to the blog what with all the twitter twaddle and facebook folies to constantly update. I knew this would happen, I'm basically lazy so if I can say it in 140 characters or less that's the option I'll take, thank you very much. But on the warmest day of a warm April that succeeded the hottest March ever, preceded by a no-Winter that meant no snow and no photos of 2" icicles hanging from the garage roof (and therefore no threat of decapitation when dragging the trash cans down the drive), I've had time to reflect on the past year. 
Firstly, that Spring-like Winter has meant everything in the garden is blooming a good three weeks ahead of normal. This was last April 16 - in past Aprils we've still been salting the back drive this time of year.

The same view today, the forsythia is over, the hostas are up and the azaleas out. It's also 87F and not raining so big bonus, there!

I even pruned the forsythia the was obscuring the pink azalea but not without a minor oops moment.

What was the tenet about bringing the outdoors in... or making lemonade out of lemons?

The early blossoming Spring holds true for the magnolias, too.

Last year May 5.

This year April 8

Secondly the house is looking more put together, even if all the major renovations finished way back in 2010. A lot has to do with the new placement of art and the way we are using the space. The eat-in section of the kitchen is a spot where we spend a lot of time now we are free to laptop/iphone/tablet roam with wifi, often it seems we don't even bother visiting our offices, we just sit at the breakfast table and do our respective things. Sometimes, though I clear up and it's quite serene

Thirdly, I am still nuts. On one of the hottest August days last summer I swapped the rugs in the den and dining room. On my own because The Guy flatly refused to indulge my crazy one more time.

The orange rug headed back to the den

and the cream rug was dragged into the great room. It felt so good I bought it a couple of new cushions in a mid-century inspired pattern in the sale at Crate&Barrel. It's so much lighter in there that I'm sitting there typing. The newly fixed sliding doors are open and I'm listening to what sounds like a duck in the yard. I'm expecting the fox will appear again tonight. April to April... plus ça change, plus c'est la même chose!

Silent Supermodel

Corsi: The World's First Supermodel-Documentary a new film by director Jake Gorst takes as its subject the most famous model you never heard of, yet a man whose face and body is familiar from countless works of art.
Have you ever wondered about the faces you see in paintings? How they appeared so lifelike on the canvas? Artists' imagination? John Singer Sargent, Edward Burne-Jones and Pierre-Auguste Cot all used Antonio Corsi as their model. Those rippling muscles sculpted in the body of the Native American warrior "Appeal to the Great Spirit" by Cyrus Dallin, reproduced on the Beach Boys' Smiley Smile album? Cosi posed for the statue. This film will tell the story of Corsi's life from gypsy boy to silent movie star and famous artist's model; how he overcame prejudice and befriended royalty before losing his fame and wealth, ultimately dying of consumption, that most tragic yet romanticized death, in 1924.
Wander over to the kickstarter page for more information on this fascinating man and pledge to get the movie made. This is a story begging to be told.

Three Gifts

New art in the house


Bob Boreman monoprint abstract landscape


Cathryn Arcomano Mix Media

Yes, I know I should iron the duvet
I never know what to get The Guy for birthdays, anniversaries or the holidays. Unless he specifically asks for something I am stumped. I did manage to surprise him four years ago with the Jamie Geller Dutra abstract painting so when we moved that out of the master bedroom and into the kitchen I thought maybe I could kill two birds by getting him another piece of art that could hang in our room.
I searched, we searched but nothing came out of it. Too small, too dark, the wrong colour; it seemed nothing would fit. Then he mentioned this book and I thought: Problem solved. I ordered the book, wrapped it and hid it where he would never think to look, in amongst the wrapping paper and ribbons in my office closet.
Fast forward a couple of months, I'm wasting time on ebay when I come across not one but three pictures that would fit the wall in the master bedroom and make a unique present for The Guy. I successfully bid on two, one more than I needed but BOGO! I dropped them into the Rockstar Framer at Ripe Art Gallery to work her magic, swearing her to secrecy. Three weeks later I was back to pick them up and then came the difficult part, getting them home, hiding them and keeping my mouth shut for a week until The Guy's birthday. The Bob Boreman piece is oversized and wouldn't fit in my car so I had to stealthily borrow his. It is so large it wouldn't fit in his trunk either but Cherie managed to slide it into the back where it balanced precariously as I drove home at 15 MPH avoiding all the potholes and bumps. I managed to hoist it upstairs, hide it with the other picture at the back of my closet covered them with clothes and held my breath every time he went in there.
The morning of his birthday I pulled the art out of the closet and went to look for some wrapping paper, which is when I discovered the book I'd bought months ago for his birthday... I've told The Guy he can consider himself gifted up to and including next xmas!

Again with the Art?

Somewhere between this post and the end of the year I forced The Guy to move some of the art around. Again. I thought the steel colour of the frame was better suited to the kitchen with its stainless appliances than the glassy blue-green and black colour scheme of the bedroom. I also reckoned the purples, blues and red in the painting went with the Impala chairs. This Jamie Geller Dutra Abstract had hung in the same place for almost four years, which is pretty much a record for me and it deserves to be seen by more people. I'm very pleased with the change but it's left me with a problem: what to put in its place on the master bedroom wall...

Palm Springs Modernism Week 2012

Loewy House
We spent a good period of our days in the desert peeking at other people's modernist homes and took advantage of the mid-century house tours organised by Palm Springs Modernism Week, including the Frank Sinatra Twin Palms house, the PreFab Showcase, the Raymiond Loewy House and El Rancho Vista Estates.


The Elrod House blew us away. It's such a fun house, built in 1968 by John Lautner, it is one commanding central living space and a master suite nestled into the rock with breathtaking views of the mountains and the valley below. A guest suite addition was built a couple of years later. Of all the houses we've toured over the years it's the one that most reminds us of our house, it has the same open yet embracing feeling, the same party house atmosphere.
You know what else you can do in Palm Springs?


Visit Palm Springs Art Museum


Shop for mid-century furniture and accessories


Soak up some desert sun


Drink really weird martinis and have lunch in a date garden


and if like us you fly into LAX, you can visit the beach at Santa Monica on the way home-30 minutes from the airport

Modern Love

We were in Palm Springs last week for Palm Springs Modernism Week, and particularly thrilled to attend the world premiere screening of Modern Tide: Mid-century Architecture on Long Island.

From the Frank Lloyd Wright Rebhuhn House in Great Neck Estates designed in the late thirties, via the whimsical beach houses along the south shore designed by Andrew Geller in the 50s and 60s to the Herbert Beckhard House built by the architect for his family in Glen Cove in 1964, Long Island is dotted with modernist treasures. This film showcases the unique architecture across the island, a testament to beach cottages that still stand fifty years later despite hurricanes and rising property values, and a remembrance of others that have succumbed to the developer's wrecking ball or been remodeled out of all recognition. Academics, historians and family members reveal fascinating details about the architects' vision, the influence of artists from Fernand Léger to Jackson Pollack and the effect the proximity to New York City had on their work.

Of course if you love architecture, especially modern architecture you will want to go see this movie but if you have any interest in Long Island, in its unique geography, urban planning and building codes, you should make a point of seeking out Jake Gorst's documentary. It raises important questions about how design and architecture fit into our surroundings and the lives we choose to live.

Modern Tide: The Movie

Modern Tide: Midcentury Architecture on Long Island from Design Onscreen on Vimeo.

Just two short months ago historian and film maker Jake Gorst was here taking shots for his documentary on mid-century modern architecture on Long Island. Now the movie is finished and Modern Tide:Midcentury Architecture on Long Island will have its world premiere at Palm Springs Modernism Week 2012. From the clip above and the stills I've seen the movie will be powerful, an homage to the great architects who worked on Long Island, amongst others Frank Lloyd Wright, Albert Frey, Horace Gifford and Andrew Geller, celebrating structures still standing and mourning those that have been lost. And with the beautiful Long Island scenery as its backdrop how can it be anything other than a must-see ticket?
We will be in Palm Springs for the premiere, soaking up some desert sun and touring a few modernist homes including the Twin Palms Estate E. Stewart Williams designed for Frank Sinatra, the Albert Frey designed Raymond Loewy house and the Wexler and Harrison El Rancho Vista Estates. More later...